|Allison Holt is an artist, theorist, and teacher working with video, sound, glass, maps, words, and more to present the mechanics, and critical importance, of neurodivergence across all aspects of life. Her 2021 video, "Stitching the Future with Clue," at once explains and performs the enormous complexity of, well, complexity—of the feedback loops and ecological operations that permeate, if not indeed define, life. Watch a three-minute excerpt here. You can learn more about Holt's work here.|
Well, I could tell you as I just did. But here's the thing: written language really wants to move in a straight line. Look at these sentences. They move left to right, assembling sense as they go more or less like a factory assembly line. So when I tell you that you are always already living amid, and indeed as, feedback loops, I do so in a straight line, belying my very pedagogic intent.
How will you understand non-linearity if all you ever hear is linearity? You'll walk away, thinking me a fool. Or, worse, you'll think what I said is cool, a novelty, and hence feel no need to pursue its effects, its logic, its ability to rewrite you and the world around you. Ah, but if you experience it at the same time, the effects will resound unto infinity.
No doubt, language is never solely linear. In fact, as Jacques Derrida and so many others have shown us, language always goes astray—it bleeds, proliferates, sprawls in different directions whether you want it to or not. Derrida enjoyed this play of language, creating a mode of reading he called deconstruction which seeks to amplify the drift inherent to any utterance. A long litany of writers have made language move in all kinds of ways, forging new modes of sense that will never have been linear — William Burroughs, Kathy Acker, Douglas Kearney, Lisa Robertson. The list goes on and on.
But, most of the time, these writers don't explain the play of language: they perform it. That is, as their writing folds and winds, you can go along for the ride. But if you don't get it, you'll jump off before it gets very far. (I no longer recommend Burroughs unless I have a keen sense of the reader.) How, then, can someone explain the non-linearity of life without straightening out the kinks or being so kinky that all explanation frays and evaporates? How can you walk the talk of feedback loops while, at the same time, talking the walk?
Enter Allison Holt and her astounding video, "Stitching the Future with Clues" (2021). In 14 minutes and 30 seconds, she at once explains and performs the recursive nature of existence. She does this as she's always done throughout her practice: by operating at the junctures where clear distinctions between telling and doing, science and art, knowledge and performance give way to a much richer medium—and hence a more resonant pedagogy.