Allen Ginsberg's "Howl" & the Performative Nature of Language & Participating in the Divine in the Very Act of Reading It
"Howl" is a poem I taught for eons as it is such a great way to teach the performative — how language not only says things but does things. I borrow this word, performative, from the philosopher, John Austin who gave an incredible set of lectures that became a book, How to Do Things with Words. I cannot recommend Austin's book more ardently.
So this is me talking about the performative via Ginsberg's incredible poem. And how, in the act of reading it, we don't just learn of all the depraved exploits of the Beats: we participate in Beat-dom, we become Beat, which is to participate in the divine through and with the flesh. Oh yes. Oh yes, indeed.
Towards a Politics of the Ecstatic (a verbal essay)
Some thoughts on a government and political discourse that doesn't seek to legislate the good or the profit motive but seeks to create the conditions of the ecstatic. This is different than the pleasure the present capitalist-corporate-state legislates and facilitates. I am interested not in pleasure per se but in enjoyment — in the slow, internal permeation of the self. So rather than a system that focuses on the conditions of profit to buy pleasure, I am interested in a system that focuses on creating time that facilitates enjoyment — and, alas, the ecstatic.
This is a true essay, a try, a reaching with reference to Nietzsche's energetics of saying Yes and No along with some Marcuse and some thoughts and experiences I've had lo these past 50 years. Indulge me, if you would. Or not.
Subscribe to: Posts (Atom)
The Posture of Things
You're shopping for a chair. As you browse the aisles, you note the variety — from backless computer chairs to high bar stools to plush ...
It's a luxury to read great books, films, works of art. You get to jump in, kick around, then stand back and think while the thing s...
"Make no mistake. It's not revenge he's after. It's a reckoning." In Tombstone , Wyatt Earp and his brother...
Arkady Plotnitsky who taught me Derrida in Philadelphia in 1989. When I was in college, I took a class on Derrida taught by the impecca...
A thing is one thing that is many things. It is an assemblage point — a gathering together of diverse elements in a particular way. A rock ...
The set up is familiar: good girls flirt with bad, get in over their heads, learn a lesson — with some boobs and teen exploitation along ...